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Glasgow Magners International Comedy Festival – Patrick Rolink

Darn it! I meant to mention this earlier.

My friend Patrick Rolink is appearing TONIGHT at the Capitol Bar Sauchiehall Street Glasgow at 8pm in his one man show “Big is Beautiful”.

As well as being a very funny comedian, Patrick is a top bloke and does a lot of work in his local community.

The show starts at 8pm and admission on the door is only £6.

That Photo

Well done to John O’Hare for correctly stating the subject of yesterday’s photo.

Yesterday I had to attend Yorkhill Hospital with my daughter. Afterwards we went for a snack at the great little cafe in the Glasgow Transport Museum.

Those of you of a certain age and from the west of Scotland, prepare to shed a tear.

Mock up of a (pre 1980) Glasgow Underground station.

This is the excellent mock up of a cobbled 1940′s street

The Museum is moving from its current location at Kelvin Hall to a purpose built facility at Finnieston in the near future. It’s always been a great place to take kids.

The Weekend Waits – You Can Never Hold Back Spring

You can never hold back spring
You can be sure that I will never
Stop believing
The blushing rose will climb
Spring ahead or fall behind
Winter dreams the same dream
Every time

You can never hold back spring
Even though you’ve lost your way
The world keeps dreaming of spring

So close your eyes
Open you heart
To one who’s dreaming of you
You can never hold back spring
Baby

Remember everything that spring
Can bring
You can never hold back spring

Shocking?

This is Professor Stanley Milgram (1933-84)

Milgram was a social psychologist at Yale Universtity in the 1960′s. In 1967 he conducted the Small World Experiment which first gave rise to the theory of The six degrees of separation
He is perhaps more widely known for the so called Milgram Experiment which was a behavioural study of obedience.

Milgram created a electric ‘shock generator’ with 30 switches. The switch was marked clearly in 15 volt increments, ranging from 15 to 450 volts.

He also placed labels indicating the shock level, such as ‘Moderate’ (75-120 Volts) and ‘Strong’ (135-180 Volts). The switches 375-420 Volts were marked ‘Danger: Severe Shock’ and the two highest levels 435-450, was marked ‘XXX’.

The ‘shock generator’ was in fact phony and would only produce sound when the switches were pressed.

40 subjects (males) were recruited via mail and a newspaper ad. They thought they were going to participate in an experiment about ‘memory and learning’.

In the test, each subject was informed clearly that their payment was for showing up, and they could keep the payment “no matter what happens after they arrive[d]”.

Next, the subject met an ‘experimenter’, the person leading the experiment, and another person told to be another subject. The other subject was in fact a confederate acting as a subject. He was a 47 year old male accountant.

The two subjects (the real subject and the con-subject) drew slips of paper to indicate who was going to be a ‘teacher’ and who was going to be a ‘learner’. The lottery was in fact a set-up, and the real subject would always get the role of ‘the teacher’.

The teacher saw that the learner was strapped to a chair and electrodes were attached. The subject was then seated in another room in front of the shock generator, unable to see the learner.

“For how long will someone continue to give shocks to another person if they are told to do so, even if they thought they could be seriously hurt?” (the dependent variable)

Remember that they had met the other person, a likeable stranger, and that they thought that it could very well be them who were in the learner-position receiving shocks.

THE EXPERIMENT

The subject was instructed to teach word-pairs to the learner. When the learner made a mistake, the subject was instructed to punish the learner by giving him a shock, 15 volts higher for each mistake.

The learner never received the shocks, but pre-taped audio was triggered when a shock-switch was pressed.

If the experimenter, seated in the same room, was contacted, he experimenter would answer with predefined ‘prods’ (“Please continue”, “Please go on”, “The experiment requires that you go on”, “It is absolutely essential that you continue”, “You have no other choice, you must go on”), starting with the mild prods, and making it more authoritarian for each time the subject contacted the experimenter.

If the subject asked who was responsible if anything would happen to the learner, the experimenter answered “I am responsible”. This gave the subject a relief and many continued.

RESULTS

During the Stanley Milgram Experiment, many subjects showed signs of tension. 3 subjects had “full-blown, uncontrollable seizures”.

Although most subjects were uncomfortable doing it, all 40 subjects obeyed up to 300 volts.

25 of the 40 subjects continued to complete to give shocks until the maximum level of 375 volts was reached.

CONCLUSION – OBEDIENCE TO AUTHORITY

Before the Stanley Milgram Experiment, experts thought that about 1-3 % of the subjects would not stop giving shocks. They thought that you’d have to be pathological or a psychopath to do so.

Still, 65 % never stopped giving shocks. None stopped when the learner said he had heart-trouble. How could that be? Is it that it has to do with our almost innate behaviour that we should do as told, especially from authority persons?

That is often put forward as Milgram’s conclusion.

However if you click here you’ll see that Milgram himself put forward nine different features of the experiment which could have contributed to the result.

My attention was drawn to all this by the publicity surrounding a French reality TV show based on the experiment. Called the “Game of Death” it was set up pretty much along the lines of the Milgram experiment with the added dimension of a TV appearance and a baying uneducated mob studio audience goading contestants on. You can read about that here

Laurent Bègue, a professor of social psychology at Grenoble university, dismissed the programme as “superficial” and an attempt to exploit simplistic “moral panic” about popular television. The reaction of the contestants was disturbing but utterly predictable, given the results of past experiments, he said. “[The documentary shows] that submission to authority applies to different contexts, including television,” he said. “But this programme was, itself, more of a media stunt than a scientific experiment.”

Quite.

I always thought Jedward murdering 80′s transitory pop songs was just about as bad as TV could get.

Obviously not.

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